We looked to Hawaiʻi's vibrant culture of artisanal craftsmanship when designing the hand-braided leather straps on the Kāhiko—which simulate traditional rope braiding.
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From beach to land and back again, the classic ‘Ohana is made to let kids roam, tumble, explore. Weather-resistant and floats.
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So light, so airy and so brightly colored, our slip-on Pehuea Maka Girls is made to keep up with her adventurous spirit.
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Hikianalia is the companion sailing canoe of the iconic Hōkūle‘a and summons the wayfaring wisdom passed down by its Hawaiian ancestors to navigate the sea.
Harnessing the power of nature – from the power of the ocean, to the power of koa.
Raised by his grandfather on Hawai‘i Island, Brandan Ahuna grew up in the ocean. Whether surfing or fishing, Brandan was taught to respect the ocean’s energy and nourishing bounty. His grandfather also instilled in him the value of giving, to share what he harvested from the sea. Today, Brandan is a Hawai‘i Island lifeguard and aspiring woodworker, creating functional art under the moniker Ahuna Hana. Quiet and thoughtful, Brandan is a reflection of old Hilo town. He carries himself with the confidence and patience of an old soul, working with an acute focus and attention to detail that translates to beautiful handmade traditional Hawaiian surfboards, skateboard decks, surfboard fins, and bowls.
OluKai: How did you get started shaping alaia, traditional wooden Hawaiian surfboards?
Brandan Ahuna: I enjoy the feeling I get after I make something and I use it. For the alaia, that’s what it started off with, just making my own alaia, surfing it, and realizing that it works. People see the joy it brought to me, surfing it, and they see how much fun I have, and they want to try it too. That’s what I want to share, is that feeling.
What are the challenges to making a surfboard out of a plank of wood?
There are certain things you can do to the board to make it better. I noticed that if I change the pitch of the rail, it affects the way the board turns, or how big the board is determines how good it paddles. There is a little play. Overall, big, small, whatevers, the board rides the same on the wave. To me, it’s more of the person. You have to put your energy into it in order to understand it. You got to try it and keep trying it. It’s always the surfer, not the board. You have to change to make it work wherever you use it.
Sometimes, certain surfboards are made for certain waves, depending on the wood. You have your heavier woods, which are more difficult to surf, and then you have lighter woods for lighter boards. Riding the kiko‘o at Bayfront was epic. The board matched the wave. They are so fast you need a longer wave to ride those boards. You could still surf them at Honoli‘i, but you wouldn’t get that full ride and be able to feel the full energy of the wave.
What type of wood do you usually work with?
Primarily I work with Paulownia. It’s easy to carve and shape out. It’s super light and naturally, it doesn’t absorb salt water. In the alaia, you want it to be a lighter board, you don’t want it to be heavy. It’s so fast already being flat; it’s easier to control when it’s lighter. The koa boards are hard to control because they are so heavy and long.
Are traditional Hawaiian surfboards something that anyone can jump on and get the hang of?
In anything you do in the ocean, you have to know the ocean. You have to know what it does, the currents, the energy. You have to know all that before you go out and into it, no matter if you’re surfing, body surfing, or riding an alaia. You have to be safe.
I learned that from my grandfather. He taught me everything about the ocean. He raised me on the ocean and taught me how to surf, how to fish, how to dive, how to live. It was hands-on. We spent every weekend, any time we had that he wasn’t working. We would go to the ocean for food, for family, especially the kupuna. We’d get fish for them, wana, opihi. He always taught us to respect the ocean. You got to know the right time, the right place, and to always give. You don’t take from the ocean and sell, you take what you need and if you get extra, you give.
Do your grandfather’s lessons about the ocean carry over to the workshop?
I take what he taught me, and then I use my own mana‘o. It’s trial and error.
What’s it like to work with koa wood?
The koa is native, and it’s beautiful and hard to get. Any time I get koa is more exciting. Paulownia is nice, but having the connection of koa, being from the ‘āina at home, and being able to make it into something—putting your mana into it and making it functional, functional art, that feels good. I always like to know where the wood came from, how it was brought to be. I don’t believe in cutting down a tree to make stuff out of it. When I think of koa, I think of kupuna. They’re old. They’re one of the first things on this island. It has a spirit. Working with the koa, you can feel it—hard to explain.
For more on the design of traditional alaia boards learn here!
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